The phrase refers to the study of the shift in American cinema from the innovative, director-driven films of the New Hollywood era (late 1960s to early 1980s) to the rise of the blockbuster model, characterized by high-budget, mass-appeal movies like "Jaws" and "Star Wars." Analyses focus on changes in storytelling, production, marketing, and audience engagement, exploring how commercial priorities reshaped Hollywood’s creative and economic landscape.
The phrase refers to the study of the shift in American cinema from the innovative, director-driven films of the New Hollywood era (late 1960s to early 1980s) to the rise of the blockbuster model, characterized by high-budget, mass-appeal movies like "Jaws" and "Star Wars." Analyses focus on changes in storytelling, production, marketing, and audience engagement, exploring how commercial priorities reshaped Hollywood’s creative and economic landscape.
What is the New Hollywood era?
A period roughly from the late 1960s to the early 1980s when American filmmakers gained unprecedented creative control, pursuing personal, director-driven stories outside traditional studio templates.
What defines the blockbuster model that followed?
Big-budget, high-concept films designed for mass appeal, wide releases, aggressive marketing, and heavy franchise potential (e.g., Jaws, Star Wars).
What production and financing changes accompanied the transition?
A shift toward large-scale productions funded to maximize return, increased marketing spend, and closer alignment with studios on risk, scheduling, and audience targets.
How did release patterns and audience expectations change?
Strategy moved to summer/holiday windows with longer marketing campaigns; audiences came to expect spectacular effects, broad appeal, and future installments or spin-offs.
What is high-concept filmmaking and why is it important?
A simple, easily marketable premise that enables quick branding, broad distribution, and franchise potential—central to the blockbuster shift.